This is my second post as I meander my increasingly bummed way through Kingdom Come Deliverance 2.
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Istvan Toth
Istvan Toth is a recurring character central to Henry's development, featuring in both Kingdom Come: Deliverance and its sequel. In KCD2, the player learns that Toth has a deep bond with Erik, whom he raised from a young age. The narrative includes moments that suggest a potentially romantic dimension to their relationship, including a scene observed by Henry.
When confronted, Toth provides his backstory with Erik (whom he groomed from childhood) and then engages Henry in a dialogue where he suggests they share similarities. This interaction occurs against the backdrop of Henry's own developing close relationship with Hans Capon.
The game thus presents a complex relationship that some may interpret as crossing moral boundaries. The relative absence of critical analysis of this element within video game journalism and commentary is worth noting.
Closed Churches
The churches in Kingdom Come: Deliverance (KCD1) were truly awe-inspiring. You could spend hours simply wandering, admiring the incredible artwork that adorned the walls – some of the finest in-game art I've ever seen. It perfectly captured the feeling of visiting a real church, a deeply resonant experience. In contrast, KCD2 lacks this feature. During my playthrough, I searched for similar churches, only to find a few and those are locked up. It's a significant loss.
A Terrible Sign
The 'Searching for the Devil' questline features a tavern with a sign that's strikingly incongruous. Its vibrant, almost cartoonish design, reminiscent of a college mascot, clashes sharply with the game's otherwise realistic art style. While the kingdom is filled with humorous signs, this one feels particularly jarring. It's an oddity, and as the saying goes, 'people tell you who they are,' suggesting a possible insight into the developers' intent.
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